{"id":11912,"date":"2020-05-06T19:45:32","date_gmt":"2020-05-06T19:45:32","guid":{"rendered":"http:\/\/www.dumitra.net\/blog\/?p=11912"},"modified":"2020-11-15T16:05:16","modified_gmt":"2020-11-15T16:05:16","slug":"sa-iubesti-plutind-deasupra-fulgerului-i","status":"publish","type":"post","link":"https:\/\/www.dumitra.net\/blog\/?p=11912","title":{"rendered":"S\u0103 iube\u0219ti plutind deasupra fulgerului (I)"},"content":{"rendered":"

\"\"<\/a>Sub pa\u0219ii aler\u021bi, praful greu scr\u00e2\u0219ne\u0219te ca \u0219i cum a\u0219 c\u0103lca pe o imens\u0103 pojghi\u021b\u0103 de pesment; sau de ghea\u021b\u0103 m\u0103run\u021bit\u0103. Griul \u00eentunecat al p\u0103m\u00e2ntului e sticlos sub soarele care \u00eencinge ca o lamp\u0103 pus\u0103 direct pe piele. A\u0219teptarea obositoare a ploii are ceva din electrizarea unei s\u0103v\u00e2r\u0219iri aproape erotice. Poate ca o remanen\u021b\u0103 a ei? P\u0103m\u00e2ntul se crap\u0103 (\u0219i vara nici m\u0103car nu s-a instalat). Se despic\u0103 sub picioare \u00een re\u021bele de fulgere prin care po\u021bi v\u00eer\u00ee degetele.<\/p>\n

\"\"<\/p>\n

Pare c\u0103 o pensul\u0103, m\u00e2nuit\u0103 de o m\u00e2n\u0103 pl\u0103p\u00e2nd\u0103 de copil, a pictat pe p\u0103m\u00e2nt crengile unui copac generos, matur, cam cum arat\u0103 merii prim\u0103vara, \u00eenainte de a plesni vegeta\u021bia \u0219i promisiunea fructelor prin seva lor. Stuful se \u00eenfoaie sub ap\u0103sarea mirosului amenin\u021b\u0103tor de ploaie.<\/p>\n

Nu am ne-frica unui Bach, personajul cu umbre pline de lumin\u0103 din al doilea roman al Guzelei Iahina – Copiii de pe Volga<\/strong><\/em> *<\/strong>-, s\u0103 stau \u00een ochiul furtunii ca un hipnotizat sau, mai degrab\u0103, ca un narcoman a\u0219tept\u00e2ndu-\u0219i por\u021bia de adrenalin\u0103, de plonjare \u00een gol. \u00cemi ajung toate fricile care mi se cuib\u0103resc sub piele, prin pori, ca ni\u0219te colonii de furnici.<\/p>\n

\"\"<\/a>Alerg pe drumeagul obi\u0219nuit, care coboar\u0103 din miezul satului spre Balta Neajlovului, ca s\u0103 m\u0103 scutur de toate amprentele imaginare (cui i-e bine acum, \u00een vreme de pandemie ?), s\u0103 m\u0103 ast\u00eemp\u0103r \u0219i s\u0103 m\u0103 golesc ca Bach dup\u0103 desc\u0103rcarea fulgerului deasupra capului lui – c\u00e2nd corpul i se sparge \u00een mii de buc\u0103\u021bele de carne care se r\u0103sp\u00e2ndesc pe \u00eentinsul stepei, l\u0103s\u00e2ndu-l aproape incon\u0219tient – \u0219i ca s\u0103 respir. S\u0103 respir \u00eenainte de a \u00eentoarce paginile dense, de o greutate juc\u0103u\u0219\u0103 \u0219i lini\u0219titoare ale Iahinei.<\/p>\n

          Poate m\u0103 condi\u021bionez (citind prima parte a romanului) s\u0103 cred c\u0103, sub aparenta moliciune, fragilitate fizic\u0103 \u0219i b\u00e2lb\u00e2ial\u0103 episodic\u0103, iar apoi mu\u021benie, ale lui Bach (Jakob Ivanovici), profesor \u00een Gnadental, un sat dintr-o colonie german\u0103 de pe malul st\u00e2ng al Volg\u0103i, se ascunde, pesemne, un suflet de cavaler teuton ne\u00een\u021beles, curajos p\u00e2n\u0103 la sacrifiu, care, imediat ce o \u00eent\u00e2lne\u0219te pe Fraulein<\/em> din p\u0103durea adormit\u0103 a fermei cu meri, de pe malul drept al Volg\u0103i, se vor elibera \u0219i desc\u0103tu\u0219a reciproc; el \u2013 din propria-i captivitate \u0219i fric\u0103 existen\u021bial\u0103, ea, Klara \u2013 din cea a unui tat\u0103 grobian, gata s\u0103-\u0219i m\u0103rite fata \u00een Reich, contra voin\u021bei ei.<\/p>\n

          \u00cendr\u0103gostirea lui Bach de Klara Grimm, t\u00e2n\u0103ra de \u0219aptesprezece ani, semianalfabet\u0103, c\u0103reia tat\u0103l sper\u0103 s\u0103-i sporeasc\u0103 \u0219ansele de m\u0103riti\u0219 \u00een Germania dac\u0103 fata deprinde o brum\u0103 de german\u0103 literar\u0103, are toat\u0103 doza de imprevizibil, obstacol, melancolie \u0219i \u00eennegurare a Volg\u0103i \u2013 sufletul Rusiei. A\u0219a cum Volga \u201c\u00eemparte lumea \u00een dou\u0103\u201d – malul st\u00e2ng, dincolo de care stepa face legea \u0219i cel drept, dinspre care vine r\u0103coarea mun\u021bilor \u2013 un paravan st\u0103 permanent a\u0219ezat \u00eentre elev\u0103 \u0219i profesor, pentru ca nu cumva aceasta s\u0103 devin\u0103  \u201cun vas pentru p\u0103cat\u201d.       <\/p>\n

\u0218i r\u00e2ul, \u0219i paravanul, \u0219i distan\u021barea social\u0103 sau pandemia \u00eempart, dar nu separ\u0103 ceea ce e dat s\u0103 fie inseparabil – at\u00e2t c\u00e2t e s\u0103 fie….  \u00cent\u00e2lnirile frecvente la ferma de meri a lui Grimm (unde pare c\u0103 \u00eencepe t\u0103r\u00e2mul basmului), barate vizual de paravan, \u00eel \u00eensufle\u021besc buc\u0103\u021bic\u0103 cu buc\u0103\u021bic\u0103 pe ternul Bach. Probele \u00eentinse de c\u0103pc\u0103unul Grimm sunt trecute \u00een parte cu ajutorul unui Goethe, carte devenit\u0103 suport pentru coresponden\u021ba secret\u0103 a celor doi. Printre r\u00e2ndurile lui Goethe, Bach evalueaz\u0103, descoper\u0103 nu doar progresele la scris ale elevei, ci \u0219i frumuse\u021bea ei – o risip\u0103 cu nemiluita a naturii prin al\u0103turarea de trudnicul \u0219i contorsionatul Bach.<\/p>\n

\u0218i \u00eenl\u0103untrul lui Bach se f\u0103cu lumin\u0103. \u0218i Bach nu mai c\u0103uta lumina fulgerului, se lecui.<\/strong><\/p>\n

Imagineaz\u0103 aici Iahina un tango at\u00e2t de subtil, ludic, de o fine\u021be de bijutier regal, antren\u00e2ndu-i pe cei doi \u00eentr-un imperceptibil joc al seduc\u021biei \u0219i candorii; ca zbaterea fluturilor atra\u0219i spre lumin\u0103. Ambii, \u0219i Bach, \u0219i Klara, se trag reciproc spre lumin\u0103 printr-o fant\u0103 cu sens unic, previzibil;  dragostea este lumin\u0103, este joc, este str\u0103lucire, dezintegrare \u0219i recompunere \u00eentr-o logic\u0103 nou\u0103, comun\u0103, \u00eentocmai ca dup\u0103 un fulger care, aparent, te-a redus la neant.<\/p>\n

Mu\u021benia ulterioar\u0103 a lui Bach sau, mai degrab\u0103, refuzul cuvintelor rostite (\u00een minte) de a fi slobozite este forma lui de protest, pe care o opune destinului nefericit al Klarei. \u00cenchis \u00een interiorul propriilor cuvinte nerostogolite de pe buze, \u00eensingurat \u00een ferma cu meri de pe malul drept al Volg\u0103i, \u00eengrijind un bebelu\u0219 cu o paternitate incert\u0103 \u2013 o vizit\u0103 inopinat\u0103 la ferm\u0103 a unui trio b\u0103rb\u0103tesc de na\u021bii, \u00eenfierb\u00e2ntat, zbucium\u0103 aritmetica existen\u021bei lui -, Bach vorbe\u0219te.  Vorbe\u0219te altfel, vorbe\u0219te diferit….<\/p>\n

Continuarea, aici: S\u0103 iube\u0219ti plutind deasupra fulgerului (II) <\/a><\/em><\/p>\n

*Copiii de pe Volga<\/strong><\/em>, Ed. Humanitas, 2020, \u00een traducerea plin\u0103 de fine\u021buri lingvistice \u0219i elegan\u021b\u0103 a Luanei Schidu<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"

Sub pa\u0219ii aler\u021bi, praful greu scr\u00e2\u0219ne\u0219te ca \u0219i cum a\u0219 c\u0103lca pe o imens\u0103 pojghi\u021b\u0103 de pesment; sau de ghea\u021b\u0103 m\u0103run\u021bit\u0103. Griul \u00eentunecat al p\u0103m\u00e2ntului e sticlos sub soarele care \u00eencinge ca o lamp\u0103...<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"footnotes":""},"categories":[1413,4],"tags":[1613,1610,1609,1611,1612,1614,1615,1616,1617],"class_list":["post-11912","post","type-post","status-publish","format-standard","hentry","category-raftul-lui-radu","category-personal","tag-copiii-de-pe-volga","tag-copiii-de-pe-volga-opinie","tag-copiii-de-pe-volga-recenzie","tag-cum-este-romanul-copiii-de-pe-volga","tag-guzel-iahina","tag-opinie-cititor","tag-review-copiii-de-pe-volga","tag-rezumat-copiii-de-pe-volga","tag-traducatoare-luana-schidu-copiii-de-pe-volga"],"_links":{"self":[{"href":"https:\/\/www.dumitra.net\/blog\/index.php?rest_route=\/wp\/v2\/posts\/11912","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.dumitra.net\/blog\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.dumitra.net\/blog\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.dumitra.net\/blog\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.dumitra.net\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=11912"}],"version-history":[{"count":16,"href":"https:\/\/www.dumitra.net\/blog\/index.php?rest_route=\/wp\/v2\/posts\/11912\/revisions"}],"predecessor-version":[{"id":11926,"href":"https:\/\/www.dumitra.net\/blog\/index.php?rest_route=\/wp\/v2\/posts\/11912\/revisions\/11926"}],"wp:attachment":[{"href":"https:\/\/www.dumitra.net\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=11912"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.dumitra.net\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=11912"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.dumitra.net\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=11912"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}